OVR Alice Galizzi: Intimacy Architecture

Alice Galizzi, Variation on the Same Theme, 2024, oil on panel, 4 panels, 22.5 x 34 cm © the artist /courtesy Glenda Cinquegrana Art Consulting.
Alice Galizzi, Variation on the Same Theme, 2024, oil on panel, 4 panels, 22.5 x 34 cm © the artist /courtesy Glenda Cinquegrana Art Consulting.

 

Glenda Cinquegrana Art Consulting is proud to present

Alice Galizzi: Intimacy Architecture

From June 28th to July 11th, 2025.

On our Artsy page

Glenda Cinquegrana Art Consulting is pleased to present Intimacy Architecture, an exclusive online exhibition featuring the young Bergamo-based artist Alice Galizzi. The exhibition is available on our Artsy page.

“The truth lies under the skin of the things.” — Alice Galizzi

 

Galizzi’s poetic vision is found in the apparent contradiction: starting from reality, she subtracts representation. Her painting process is grounded in the photograph, which she flattens and reduces to geometric forms, filtering it through simplification and linear abstraction, as is shown by the series Variazione sullo stesso tema (2024).

Her work is a mental topography of the domestic space: objects, rooms, windows, and surfaces are compressed and reassembled like parts of an emotional map. Her subjects are drawn from her daily experience; her body has already inhabited these spaces. Unlike Claudio Parmiggiani, who works with the trace of absence (as in his famous “dust deposits”), Galizzi works by developing the presence of the mark, where the shadow is the origin of a new form.

For her, painting becomes “impression” in a dual sense: both a mark on the canvas and an imprint in memory, as seen in Celeste 1 (2024), in which her practice is no longer about representation, but about transcription of an invisible permanence. Edwin Abbott’s Flatland, with its two-dimensional world made of apparent perfections, offers a compelling interpretive key: every form is merely a threshold to another.

This approach is also evident in her two most recent canvases, Conversazione (2024) and Tempi morti (2025), where art reveals the true façade of things.

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