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‘Anthropization’ a solo project by Stefano Cagol @TheOthersFair, Turin, November 2-5, 2017

Posted on 25 October 2017

Stefano Cagol, 2008, Light dissolution, Diasec, cm 85 x 120, ed. 1/3, courtesy the artist and Glenda Cinquegrana Art Consulting.

 

Stefano Cagol

Anthropization

THE OTHERS FAIR

November 2-5, 2017

Opening: November, 2 opening party, 8.00 PM. – 1.00 AM. 

November 3- 4, 5.00 PM – 1.00 AM.

November 5, 5.00 PM – 8.00 PM.

 

EX OSPEDALE MARIA ADELAIDE

Lungo Dora Firenze, 87

10153, Turin, Italy

 

Room 13, Pink Corridor

First floor

 

curated by Glenda Cinquegrana

In Anthropization the man’s influence over nature and history is the main concept through which Stefano Cagol’s research can be interpreted. Starting with his research on the border, passing through his reflections on the melting of the glaciers, until his most recent artworks focusing on bioethics and the drama of history, Anthropization is a curatorial project by Glenda Cinquegrana featuring an ‘excursus’ through the most brilliant and famous Cagol’s production. We are presenting a group of museum quality works that have never been exhibited into an art fair before.

The first artwork is under the title Ice Monolith (2013), a video featured to Venice Biennale in 2013, documenting the performance in which Cagol is bringing from the Alps to Venice an ice block of 1.400 kilos. The video shows also this block melting in a few hours. This artwork, exhibited for the Maldives Pavilion, a country put at risk of existence by the global warming, alludes to the climate change and its consequences on our ecosystem.

Light Dissolution (2008) has triggered one of the most famous and published works by Cagol, ‘The End of the Border’, in which Cagol deals with the issue of the border. This photograph dates back to the performance Cagol featured at Manifesta 7, in which he traced a new border of light crossing different countries using an electrical generator. The border, conceived as the human intervention on the territory has recently turned out to be a key issue of our troubled political times.

Acquired in MART in Rovereto, Karlsruhe and Kunstraum in Innsbruck collections, September 11th  (2009) is an installation visualizing the use of the text and images the most dramatic date of contemporary history. Composed by some photographs and a manifesto, the installation renovates its meanings by listing all the events that happened long before the American 9/11. Among those, we can find the golpe by Pinochet in Argentina, the failed death attempt to Mussolini as well as the artist’s date of birth. Putting in relationship different events, Cagol gives us some instruments for a better understanding of this event, fundamental for the comprehension of contemporary history.

LOLA Cow (2009) deals with the bioethics, biodiversity and eugenics issues. Lola, whose name was heralding domestic animals, is a typical and standardized name located on different animals’ skins: it becomes the perfect animal metaphor, the symbol of the more extreme experiments conducted on the animals.